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Hub & Rack
Free app • Windows, Linux, macOS
NULL JSFX HUB
Every plugin in one window. Install, update and remove them in any format, hear a demo of each one, and get told when a new version is out.
JSFX, GFX, VST3 and CLAP, one by one, by group or all at once
A video, a before-and-after demo and the guide of every plugin
FX chains, factory presets, the tablet remote and the font as extras
Check and repair, roll back, and the same set on another computer
Build your own effect. Up to eight of 95 NULL modules in one plugin, each on the full sound, a band, mid, side, left or right, with modulation that moves them.
Two parallel lanes and a feedback loop
8 macros, 2 LFOs, an envelope follower and a step sequencer
72 presets, from Vocal Chain and Mastering Chain to Build-Up
UPGRADED: new controls in Reverb, Delay, Chorus, Phaser, Flanger, Tremolo, Dynamics and 20 more; Parametric EQ shows a live spectrum. At their default settings they sound exactly as in 2.4
RACK: two lanes, a feedback loop, a step sequencer, and Sidechain Ducker and Convolution modules
CHAINS: 73 ready-made FX chains, 29 more than before
BROWSER: instruments and MIDI tools also run on the website
Every plugin has a presentation video
2.4: NULL JSFX HUB FIXES
REMOVE: removing plugins no longer downloads anything
WINDOWS: turning the Noto Sans font off or updating it no longer fails with "file is being used by another process"; a file still held by REAPER is finished the next time the Hub starts
The plugins sound exactly as in 2.3
2.3: NULL JSFX HUB
LISTEN: a short demo of every plugin on its page, with and without it
CHECK AND REPAIR: finds damaged or changed plugin files and puts them right
ROLL BACK a plugin to the release before, and update it again whenever you like
ANOTHER COMPUTER: save the list of what you installed and install the same there in one go
Updates itself in one click, warns you when a DAW is open before it changes the plugins, and speaks Greek too
2.3: INSTALLERS
MACOS: a .pkg installer; under Customize you pick the formats, the plugin groups and the extras, and it needs no password
LINUX: double-click the installer and it asks in windows
The plugins sound exactly as in 2.2
2.2: NULL JSFX HUB
A free app for Windows, Linux and macOS that installs, updates and removes the plugins in any format (JSFX, GFX, VST3, CLAP), one by one, by group or all at once
Screenshots, descriptions and factory presets of every plugin; FX chains, presets, the tablet remote and the font as extras
Downloads only what you pick, straight from our GitHub releases
Optional: starts with the computer, stays in the tray and shows a notification when a new version or new plugins are out
No account, no tracking
2.1: 14 NEW PLUGINS
ONE SLIDER: DJ Filter
ESSENTIALS: Band Splitter, De-Hum, Disperser, Octaver, Panner, Tape, Volume Shaper
Every one as JSFX, GFX and VST3 / CLAP, like the rest of the suite
2.1: RACK AND FX CHAINS
RACK (VST3 / CLAP): up to 8 NULL effects in one plugin, each on the full signal, a Low/Mid/High band, Mid, Side, Left or Right, with 8 macros, 2 LFOs and an envelope follower; 52 presets
44 FX CHAINS for REAPER, from Vocal Chain and Mastering Chain to Multiband Distortion and Auto Filter, with pin routing and parameter modulation where they need it
2.1: PRESETS AND UPGRADES
Factory presets for every plugin, the same in JSFX (REAPER's preset menu), GFX and VST3 / CLAP (the box at the top of the interface)
DELAY: ping-pong mode, low cut, high cut and drive in the feedback
SATURATION: Fold mode (wavefolder)
MAXIMIZER: 16 / 24-bit dither with optional noise shaping
Existing settings sound exactly as in 2.0; the plugins sound the same in 2.2
Plugins
Get NULL JSFX HubFree for Windows, macOS and Linux, from the Download button.
Pick what you wantPlugins one by one or all of them, as JSFX for REAPER or VST3 and CLAP for any DAW. The Hub installs and updates them.
Open your DAWRescan the plugins. REAPER lists them under JS: NULL; other DAWs under the maker NULL JSFX.
INSTALL BY HAND
1
Install Effects
Easiest:NULL JSFX Hub from the Download button installs, updates and removes the plugins in the formats you pick, with the FX chains, presets and extras, and tells you when a new version is out. The installer does a one-off install of the same. Both use the folders below. To do it by hand:
Download JSFX for REAPER and extract the null_jsfx folder to your Reaper Effects directory:
Restart Reaper or re-scan your plugins folders. NULL JSFX will be available under the JS category in the FX browser. Keep the gfx folder inside it: it holds the GFX versions (NULL <Name> GFX) and the file that draws their interface.
Presets: copy the files in the presets folder of the download (js-null_jsfx_*.ini) to the presets folder next to Effects (e.g. ~/.config/REAPER/presets/), then pick them from the preset menu at the top of the FX window. If a file with the same name is already there, it holds presets you saved yourself: keep it.
+
VST3 and CLAP (any DAW)
Plugins marked VST3 and CLAP also come as regular plugins. Download VST3 & CLAP for your system and copy the NULL JSFX folders from its VST3 and CLAP folders to:
Windows
C:/Program Files/Common Files/VST3/ and C:/Program Files/Common Files/CLAP/
macOS
~/Library/Audio/Plug-Ins/VST3/ and ~/Library/Audio/Plug-Ins/CLAP/
Linux
~/.vst3/ and ~/.clap/
Rescan plugins in your DAW. They appear under their own names (e.g. Tilt) with NULL JSFX as the maker.
2
Load Plugins
Click the FX button on any track
Open the FX Browser (if not visible)
Navigate to the JS category
Find plugins under JS: NULL JSFX folder
Select any plugin to load it
💡 Tip: To see all plugins organized in the FX explorer, filter by searching "NULL" or create a Smart Folder: Menu "View" → FX Browser → right-click on "Folders" → "Add folder" → "Smart folder" → Filter contains "NULL". They will auto-categorize!
🎤 Shortcut: Press / to quickly focus the plugin search bar. ESC closes all modals.
One Slider 21
One control, instant result. Turn it up until it sounds right.
Ready-made REAPER FX chains of NULL JSFX plugins, in the JSFX download (FXChains folder, see INSTALL.txt). Load one with FX → Add FX chain; every plugin stays fully editable. Chains marked pin routing split the sound into bands or into mid and side; modulation ones move a control with an LFO, the input level or another control. Click a plugin for its guide.
808 GLUE
A sub octave, tube drive, a soft clipper and mono lows to glue an 808; Amount drives and clips harder, Sub adds more sub.
→→→
JSFXGFXMODULATION
ABBEY CHAMBER
A plate with long pre-delay and the low and high end cut from the reverb only, plus light tape, like a classic echo chamber; Amount adds chamber, Length lengthens it.
→
JSFXGFXMODULATION
AIRY BALLAD
Smooth opto compression, sparkle, a ducked ping-pong delay and a shimmer for soft ballad vocals; Amount adds delay and shimmer, Air brightens.
→→→
JSFXGFXMODULATION
AMBIENT GUITAR
Softened attacks, a modulated dotted-quarter ping-pong and a long shimmer for ambient guitar; Amount adds echo and shimmer, Swell softens the picking more.
→→
JSFXGFXMODULATION
AUTO FILTER
A resonant low-pass swept by an LFO.
JSFXGFXMODULATION
BASS AMP
Bass amp, 1x15 cabinet and steady compression for DI bass.
→→
JSFXGFX
BASS ENHANCER
Adds a sub octave and warmth, then keeps the low end mono.
→→
JSFXGFX
BROKEN MEDIA
Digital breakage (crushing, stutters) on one control and analog wear (wobble, crackle) on another.
→→→→
JSFXGFXMODULATION
BUILD-UP
One control raises the riser, the filter sweep and the pumping together for an EDM build-up.
→→
JSFXGFXMODULATION
CASSETTE
Tape saturation, wow, flutter and hiss with a gentle top-end roll-off.
→
JSFXGFX
CHANNEL STRIP
Gate, a clean-up EQ, bus compression, de-essing and tape color in a classic console order; Amount compresses harder, Color adds drive.
→→→→
JSFXGFXMODULATION
CHOIR PAD VOCAL
A fifth above and an octave below, a deeper formant, a wide chorus and a shimmer turn one voice into a choir pad; Amount brings up the voices, Voice deepens them.
→→→
JSFXGFXMODULATION
CLASSIC WAH RIG
An envelope wah into a crunchy amp, 2x12 cabinet and spring; Amount makes the wah deeper, Drive pushes the amp.
→→→
JSFXGFXMODULATION
COLOR DRIVE
A movable bell boost before tube drive, crunch on the highs, a tilt and a short Haas widening.
→→→→
JSFXGFXPIN ROUTINGMODULATION
COSMIC SPACE
A drifting metallic comb, granular echoes and a huge reverb, with a freeze that holds the sound.
→→→→
JSFXGFXMODULATION
DESERT TWANG
Harmonic tremolo, a bright clean amp, an open-back cabinet, drippy spring and a short echo for twangy guitar; Amount adds wobble and space, Drive pushes the amp.
→→→→
JSFXGFXMODULATION
DIALOGUE CLEANUP
Removes hum and noise, tames sibilance, evens out the level and catches peaks.
→→→→
JSFXGFX
DISTORTED THROW
A driven ping-pong delay into tape saturation and a resonant low-pass that sweeps every two bars.
→→→
JSFXGFXMODULATION
DRUM BUS
Punchier transients, tape warmth and glue compression for a drum group.
→→
JSFXGFX
DUB ECHO BUS
A dark multi-head tape echo with its spring, a low cut and more spring for dub; Amount adds echo and repeats, Wobble adds tape wow and flutter.
→→
JSFXGFXMODULATION
DUCKED DELAY
A ping-pong delay that steps back while you play and blooms in the gaps.
JSFXGFXMODULATION
DYNAMIC WIDTH
The stereo image opens up as the music gets louder.
JSFXGFXMODULATION
ENSEMBLE
Chorus, doubling and spread for a wide, lush stereo image.
→→
JSFXGFX
FRAGMENT GATE
A 16th-note gate into a randomly stepping band-pass, synced panning, octave blips, an eighth-note delay and some room.
→→→→→
JSFXGFXMODULATION
FROZEN HALL
A wide, modulated hall with long pre-delay and a gentle top roll-off; Amount adds hall, Freeze holds the tail.
→
JSFXGFXMODULATION
FUNK RIG
Touch-wah or phaser into a clean amp, combo cabinet and spring, for clavinet, keys and funk guitar.
→→→→
JSFXGFXMODULATION
GUITAR AMP
Gate, crunchy amp, 4x12 cabinet and a touch of room for DI guitar.
→→→
JSFXGFX
HARMONY STACK
Gentle pitch correction, a third and a fifth above, doubling, width and a hall; one control brings the voices up.
→→→→→
JSFXGFXMODULATION
HARSHNESS TAMER
Resonance suppression, a dynamic cut at 3.5 kHz, de-essing and a darker tilt; one control smooths more.
→→→
JSFXGFXMODULATION
HAT SHINE
High-pass, sparkle, shorter tails and extra width for hi-hats and cymbals; Amount adds shine and tightens, Width spreads them.
→→→
JSFXGFXMODULATION
JET FLANGE
A tempo-synced, high-feedback flanger sweep into tape warmth; Amount makes the jet stronger, Manual shifts where the sweep sits.
→
JSFXGFXMODULATION
KICK FERTILIZER
Kick shaping, a sub octave and a burst of noise in the highs that follows each hit, then punch and a limiter.
→→→→→
JSFXGFXPIN ROUTINGMODULATION
LO-FI
Grit, worn vinyl and a dark low-pass for a dusty, sampled sound.
→→
JSFXGFX
LO-FI ECHO
A filtered, driven delay into grit, like an old tape echo.
→
JSFXGFX
LO-FI FADER
One control fades in grit and worn vinyl while closing the low-pass.
→→
JSFXGFXMODULATION
LOUD MASTER
Slight tilt, gentle multiband compression, a soft clipper and a maximizer, with a loudness meter at the end; Amount pushes louder, Bright tilts brighter.
→→→→
JSFXGFXMODULATION
LOW END FOCUS
Mono lows, a dynamic cut on boom around 100 Hz and a touch of sub, all on the low band only; Amount cuts the boom more, Sub adds sub.
→→
JSFXGFXPIN ROUTINGMODULATION
MASTERING CHAIN
Clean-up EQ, multiband compression, width, a maximizer and a loudness meter.
→→→→
JSFXGFX
MICRO GRAINS
Short granular echoes, reversed snippets and stutters at a low mix; Amount brings them up, Chaos scatters the grains and reverses more.
→→
JSFXGFXMODULATION
MID/SIDE DRIVE
A drifting comb, tube drive on the center and crunch on the sides that grows with the input level.
→→→→
JSFXGFXPIN ROUTINGMODULATION
MID/SIDE EQ
One EQ for the center and another for the sides.
→
JSFXGFXPIN ROUTING
MIX BUS FINISHER
High-pass, glue, gentle multiband, a push EQ, wider highs, mono lows, a touch of OTT and a limiter for a mix bus.
→→→→→→→
JSFXGFXPIN ROUTINGMODULATION
MOTION PAD
Lush chorus, a slowly breathing low-pass, synced panning and a shimmer tail for pads; Amount adds motion and space, Speed moves it faster.
→→→
JSFXGFXMODULATION
MULTIBAND DISTORTION
Three saturation stages on the lows, mids and highs, each with its own character.
→→
JSFXGFXPIN ROUTING
MULTIBAND WIDTH
Mono lows, a wider midrange and the widest highs, split by Band Splitter.
→→
JSFXGFXPIN ROUTING
MUTANT SPACE
A modulated reverb with an octave-up shift and a slowly drifting ring modulator; Amount adds reverb, Mutate brings in the pitch and the ring.
→→
JSFXGFXMODULATION
OLD RADIO
Mono, a narrow band, tube drive, crackle and a little spring, with a low-pass that drifts like a weak signal.
→→→→→
JSFXGFXMODULATION
ORGAN ROTARY
Tube drive into a rotary speaker and a small room; one control switches from slow to fast.
→→
JSFXGFXMODULATION
PODCAST READY
Noise reduction, hum removal, de-plosive, de-esser, leveling and a limiter, with a meter set to -16 LUFS; Amount cleans harder, Loudness raises the level.
→→→→→→
JSFXGFXMODULATION
POP VOCAL
De-plosive, de-esser, compression, a polished EQ, light doubling and a plate for modern pop vocals; Amount compresses harder, Space adds doubling and plate.
→→→→→
JSFXGFXMODULATION
PULTEC LIFT
A low shelf boost with a wide cut above it, a broad high lift, a soft 20 kHz shelf down and tube color; Amount boosts more, Warmth adds drive.
→
JSFXGFXMODULATION
PUSHER
Attack, sparkle, width and a soft clipper to push a sound forward; Amount does more of all of it, Width spreads it.
→→→
JSFXGFXMODULATION
RAP VOCAL UPFRONT
Gate, fast FET compression, tube drive, de-essing and a short ducked eighth echo for upfront rap vocals; Amount compresses harder, Echo adds more delay.
→→→→
JSFXGFXMODULATION
REESE BASS
Mono lows, with tube drive, a wide chorus and a slowly moving phaser above them for reese and synth bass; Amount drives and thickens, Motion adds the phaser.
→→→
JSFXGFXPIN ROUTINGMODULATION
RETRO BUS
Chorus, tape and a dark dotted-eighth echo into a small room; Amount brings the effects up, Age adds wobble, hiss and a duller echo.
→→→
JSFXGFXMODULATION
REVERSE REVERB
A big reverb played backwards, so sounds swell in before they hit.
→
JSFXGFX
ROBOT RADIO VOICE
Hard-tuned robot voice through a moving vowel filter, a narrow band-pass, tube drive and a spring.
→→→→→
JSFXGFXMODULATION
SHIFT MOD
A slowly drifting frequency shift on the sides, optional ring modulation, a wide band-pass and extra width.
→→→
JSFXGFXPIN ROUTINGMODULATION
SIT-IN-MIX
Light compression, tape warmth and a slight tilt to help a track sit in the mix; one control does more of both.
→→→
JSFXGFXMODULATION
SIX-FADER VOCAL
Bass, treble, compression, reverb, delay and doubling for vocals, each on its own control and all starting closed.
→→→→→
JSFXGFXMODULATION
SMALL SPEAKER CHECK
Mono, band-limited and mid-forward: hear the mix as a phone or small speaker would. Bypass it before rendering.
→→→→
JSFXGFX
SNARE CRACK
More attack, a cracking EQ, tape drive and a short room for snares; Amount adds attack and drive, Room adds the room.
→→→
JSFXGFXMODULATION
STEPPED AUTOPAN
Tempo pumping and synced panning into a band-pass that jumps between two steps every half note.
→→→
JSFXGFXMODULATION
STUTTER BUILD
Sixteenth repeats on the second half of each bar, a rising high-pass and a wash, all on one control for a build-up; a second control makes the repeats shorter.
→→
JSFXGFXMODULATION
SUB HARMONICS
An octave down, a sub layer and mono, all below 120 Hz, to add weight; Amount adds both, Depth adds a second octave down.
→→
JSFXGFXPIN ROUTINGMODULATION
TRIPLE MOD
Phaser, flanger on the sides and chorus with drifting rate and depth, plus slow panning; one control adds all three.
→→→
JSFXGFXPIN ROUTINGMODULATION
TUBE EQ
A broad musical EQ curve into warm tube saturation, like a vintage tube equalizer.
→
JSFXGFX
TUBE SMASH
Fast compression into tube saturation, with controls for low-end weight and drive.
→→→
JSFXGFXMODULATION
VHS TAPE
Tape heat, chorus, slow pitch drift, crushing and a dark wash, each on its own control, for a worn videotape sound.
→→→→→
JSFXGFXMODULATION
VOCAL CHAIN
Gate, breath control, de-essing, compression, EQ, doubling and reverb in the usual order.
→→→→→→
JSFXGFX
VOCAL LEVELER
Breath control, slow leveling, de-essing, resonance and mud control with a little air: vocal level and tone, no effects.
→→→→→
JSFXGFXPIN ROUTING
WALL OF SOUND
Blended fuzz, a thick chorus and a big hall with a spectral freeze ready to hold the sound; Amount adds fuzz and wash, Size grows the hall.
→→→→
JSFXGFXMODULATION
WIDE LIFT
Excitement, a little sub, extra width and loudness for a bigger, more open sound; Amount does more of all of it, Air brightens the top.
